Slow Burn - Corvid Design

Image by alexbutscom
Cover design by Moira Ashleigh

Testimonials

Before you risk your hard earned cash, it is good to know that the designer has been great to work with and delivers quality work . Here are a few of the comments received.

“I had no idea what I wanted for a cover design for my novel, but once I saw Duncan’s design, I saw that he knew exactly what was needed.” – Harry Connolly, author of A Key, an Egg, an Unfortunate Remark

“Judith K. Dial and I did two books with Duncan Eagleson covers, and when we saw them, we were gobsmacked! They were handsomely fitted to the content, wondrously colorful, and beautifully executed! We’d love to have his work on future books.” – Tom Easton, co-editor of Impossible Futures and Decopunk

“I got to work with Duncan Eagleson when Necon EBooks re-designed the covers of two of my novels. He was extremely intuitive, calm under pressure, and created some beautiful and spot-on interpretations of my work. I would not hesitate to recommend him.” – Janet Joyce Holden, author of The Only Red is Blood

Testimonials

"Just got the cover for Wolf’s Tale from Matt Bechtel at NECON eBooks. I love it. I saw a larger version without the words at NECON. Duncan Eagleson picked the exact scene I wanted for the cover with no input from me. His work is amazing. This is the second cover he did for me (second cover for Death’s Companion). - Dan Foley author of Wolf's Tale

"I had no idea what I wanted for a cover design for my novel, but once I saw Duncan's design, I saw that he knew exactly what was needed." - Harry Connolly, author of A Key, an Egg, an Unfortunate Remark

"Judith K. Dial and I did two books with Duncan Eagleson covers, and when we saw them, we were gobsmacked! They were handsomely fitted to the content, wondrously colorful, and beautifully executed! We'd love to have his work on future books." - Tom Easton, co-editor of Impossible Futures and Decopunk

"I got to work with Duncan Eagleson when Necon EBooks re-designed the covers of two of my novels. He was extremely intuitive, calm under pressure, and created some beautiful and spot-on interpretations of my work. I would not hesitate to recommend him." - Janet Joyce Holden, author of The Only Red is Blood