Cover Stories Author Interview: Ash Krafton

Bleeding Hearts cover design by Corvid Design

20+ Questions:  Ash Krafton

AshKraftonI first encountered Ash Krafton on, which is pretty much what it sounds like – a site that provides a great resource for authors querying agents and publishers to keep track their various queries and exchange information about agents, publishers and markets.  As we were both interested in Urban Fantasy, Ash and I exchanged a few chatty emails, and then proceeded to lose track of each other.  A year or two later, I was working for Pink Narcissus as their art director and occasional editor, and the Editor-In-Cheif sent me a manuscript she was considering accepting.  Knowing I was more into Urban Fantasy than she was, she wanted my opinion.  Once I read through Bleeding Hearts (Book One of the Demimonde), I wasted no time adding my vote to the “yes” column.

bleedingIt was a real pleasure to be able to create covers for the three books of the series.  Incidentally, the cover for the first book, Bleeding Hearts, was the first cover collaboration with my Corvid partner, Moira Ashleigh, who took the photograph of the flowers of the bleeding heart plant (Lamprocapnos spectabilis).



CORVID DESIGN:  You’re known, among other things, for your vampire trilogy, but one of your most recent is a sort of sideways take on the vampire concept, under the byline AJ Krafton. In The Heartbeat Thief, Senza takes not blood from her victims, but life energy in the form of heartbeats. What was it that you were able to explore with this approach to supernatural parasitism that you couldn’t do using a more traditional vampire mythology?

ASH KRAFTON:  The concept was born entirely out of the setting of the story. Victorian England had strict rules on morality and modesty and personal interactions. Everything was measured on the Almighty Scale of Propriety.

Senza couldn’t be a vampire in the traditional sense. Biting someone would have broken every rule there was and she would have been exiled from society. Her existence revolved around her place in society so she couldn’t very well go skulking about at midnight, stealing blood from her sleeping contemporaries.

Besides, there is something innocent and romantic and seductive about the notion, that kind of pilferage she does in plain view of everyone. A touch, a smile, and she has a piece of you—but you just feel a little off-balanced. Perhaps it was her smile that staggered you so. Who is that girl that all faces turn to follow? What is the spell she cast?

CD: What made you decide The Heartbeat Thief needed a different byline?Heartbeat

AK: As Ash Krafton, I generally write for adult audiences. Like most writers, I keep a perpetual story file in my head, ideas and plots and characters that I keep tucked away, waiting for a break between projects.

Several story ideas, however, featured younger protagonists and would be suitable for not-quite-yet-adult readers. I decided a pen name would be best to limit genre-confusion.
I am not convinced at this point if it was necessary, after all; mature teens 16 and up usually have no problems reading my stories (as well as inspire me to push my own limits in writing.) And the business aspects of a pen name are quite possibly a nightmare…but, anyhoo.

Because The Heartbeat Thief deals with violence, death, and the consequences of sexual activity, I decided to label it New Adult and use the pen name to establish the audience base. I have been told that it’s still YA friendly so…I guess it depends on the person reading it. In the end, the author picks the label…but once the book is in the hands of the reader, it goes where the audiences take it.

And I don’t think there is anyone who actually believes AJ is a different person. It was never a secret identity, after all.

CD: Thief takes place largely in the Victorian period, which I think is a departure for you. Were you already well versed in Victoriana, and only had to look up a few details, or was this huge research project? Tell us a little about your process with a period piece.

AK: This book was a joy to write because I’ve loved the time period from childhood. If I’m ever brave enough, I’m going to do a little bit of past life regression just to see where my past actually lived. I’ve had a crush on Poe since I was in high school so, ultimately, writing this book was a selfish indulgence.

That doesn’t mean I didn’t spend hours reading and researching, however. I think the only place where I dropped the ball was in two spots referring to horses, once literally and once metaphorically, for a total of maybe eight entire words. A reviewer who knows all there is to know about Horsedom was kind enough point out my incorrect wording. (By kind, I mean not kind. Doesn’t matter.) I accepted the criticism with a red face and a grateful heart and made immediate edits so the world would be safe once more from glaring inaccuracy in literature.

I think the biggest challenge came in the structure of the story itself. The plot followed the structure of “The Masque of the Red Death”, particularly the passage through the seven apartments. Senza, too, passed through seven “apartments” during her own long life. Each apartment had its own characteristics and colors and literary symbolism. The biggest challenge came in coordinating the historic timeline itself—years and events had to fall into place if I wanted the story to be believable.

Blood RushCD: Every author who deals with vampires seems to come up with their own unique take on the creatures, and have their own variations on the rules: Can they be out in sunlight? Do they react to crosses?  Other holy symbols? Silver? Supernatural, or natural – are they actually risen dead, or humans with some sort of condition, or another race entirely? In the Demimonde books, your vampires are divided into the full vampires and the demi-vamps, hence the title of the series. Can you tell us a little about how that works, and where did you come up with the idea of the demivamps?

AK: “The Books of the Demimonde” series focuses on a woman named Sophie, an advice columnist-turned-oracle whose destiny is to be the redemption of the Demivampire. Since she actually has to redeem them, I had to create a mythos in which being vampire wasn’t necessarily a death sentence. (Hmm. That was a little punny. Won’t happen again.)

CD:  Won’t happen again?  I find that hard to believe…

AK: …I also wanted a hero that had a pulse, a normal body temperature, a man who wouldn’t feel like laying on a chilly waterbed. Vampires, I imagine, have no regulated body temp and would be cold-blooded. (Could have been punny, but wasn’t. This time.)

The most enjoyable part of creating the demivampire mythos was writing the origin story itself—which I happily rooted in Ancient Egypt. In Bleeding Hearts, Marek, a Demivampire, has a keen interest in Ancient Egypt. In fact, our heroine Sophie first meets him in a museum exhibit of an Old Kingdom temple.

Ancient Egyptians worshipped many gods, each of whom had many qualities. People related to their strengths and flaws, and devoted themselves to the divinity of the gods. I myself believe we are made in the image of the Divine—and that reflection of Divinity within myself endears me to God, whoever he or she or they are. I suppose the Egyptians felt the same way, since their gods were depicted with human bodies. The animal heads were indicative of their divine aspect.

Horus is the son of Osirus and Isis and is one of my favorites. Horus is depicted as having the head of a falcon, usually a peregrine. Very appropriate for the God of the Sky.TalesDemi

In my research, I came across the description of Horus’ eyes. That caught my interest, because the power of a demivamp had a great deal to do eyes and their color. The ancients said that, as God of the Sky, one eye of Horus was the sun and the other was the moon.

Hmm…sun and moon…vamps and werewolves…of course!

So, long story short, this story was pretty much all laid out about four thousand years ago. I’m just the one who put all the ancient clues together.

CD: Thief seems like a very stand-alone novel.  Yet I couldn’t help wondering, is there a “Krafton Universe?”  Could Senza or Tam Kerish run into Sophie if they happened to be in the right place and time? Or do you think of those each as self-contained works?

AK: I don’t see so much a Krafton Universe as I do a Krafton Theme Park. (That was wretchedly punny.) A few themes reappear in just about everything I write.
Death. Life. Magic. Redemption. Darkness and Light.

I don’t think characters can cross over because each book or series is meant to explore these themes through the lives and stories of different individuals. I want to capture unique experiences that, ultimately, are relatable to everyone, no matter the setting, the culture, or the approach of each story’s individual cast.

CD: So far, all your published works seem to be urban fantasy or paranormal romance.  What about other genres?  Do you plan to branch out?  Is there a genre you’ve been jonesing to get around to trying?  Or, conversely, is there one you’d never want to write in?

AK: When I daydream, I daydream about magic in the real world. A basis of actual realism makes me appreciate the unreal all the more. My first (unfinished) novel project was more fantasy-land fantasy, that generic kingdom-far-away kind of place. I liked the story, but I just wasn’t in it into it, if that makes sense.

Bleeding Hearts pulled me into its world because I based it near Philly, my old home. I wrote it because I wanted to walk down near the harbor and sneak looks at people and wonder if I saw their eyes flash. With The Heartbeat Thief, I imagine readers brushing against someone’s skin and thinking “Ooh…I nicked a beat!” I love the thought of real magic in the real world.

Urban fantasy lets me do that—make stuff up I can semi-convince myself is real so the books don’t end with the words THE END.

CD:  You’ve published with small presses, and have self-published as well. What, for you, have been the major advantages and disadvantages of each?

AK: I like the validation of small press publishing, the senses of quality and solidarity. I like the artisanal aesthetic many small presses put out. I like the feeling of craft vs. mass production.  But I also like self-producing my work because I enjoy the creative control. I’m not locked in a room, solitary and cut-off from the world, tossing out a story without having it vetted. Self-pubbing authors have access to a vast wealth of professionals they can contract in for services…editors, artists, formatters…kind of like a small press with a staff of one. Me 🙂

I also respect the balance of hybrid authors, who use elements of both traditional and self-publishing to ultimately market and present their brand. While I consider myself an indie author, I value the services of literary agents because they are experts in areas I myself am not and have connections and insights to parts of the business that I’d love to explore but know I can’t accomplish on my own.

CD:  You’ve recently begun publishing a new series (“The Demon Whisperer”) on Wattpad.  How has that worked out?  Would you recommend Wattpad to other writers?CharmCity

AK:  I LOVE Up until recently, I used it to put up short stories just to see if anyone would read them. I love the forums because it’s a global community of novice and working writers. It’s nice to be “around” people who write because they are passionate about the essence of writing.

When I decided to put up Charm City (The Demon Whisperer #1), I had a specific goal: I wanted to shoot for a spot on the Featured Story list. To my delight, it was picked up and went Featured at the end of April. Since then, it’s been read about 17,000 times and has really sparked interesting responses from readers. My favorite comments are from people who are reading and thinking “out loud” as they go. The excitement is contagious!

As a Featured Story, it must stay on the site for a minimum of six months. I don’t foresee myself taking it down after that, even after I release the ebook. Wattpad is a great discoverability site and hopefully it will lead new readers to my other work.

Here’s a link to Charm City…have a look!

CD:  You’ve said you’ll never leave the coal region “because coal is just another example of a spectacular ending waiting for a brilliant beginning. (It’s kinda fitting.)”  For those of us who aren’t from coal country, would you mind explaining that?

AK: Coal is a black rock formed from prehistoric ooze and organic material that lies buried beneath tons of rock. The muck gets condensed into a hard, brittle layer that can be dug up and used for fuel because it burns with a semi-sustainable pace.

Coal forms because long ago, things died and ended. Yet, today, we still scratch the Earth and plow up mountains of the black diamonds. That coal will wait for someone to strike a light, so it can come blazing back in a whole new way.

The imagery is sooty, yet powerful and very inspiring. Who looks at a dirty rock and thinks, this is worth something…this will burn and create tons of energy?
But that’s what coal does. That’s what we all should do: use our experience and our past to illuminate and fuel the future.

CD:  According to Amazon, “The second bravest thing she’s ever done was volunteering to go first when her Girl Scout troop visited a High Ropes challenge course somewhere back in the eighties.”  Did you go on to become an avid high ropes fanatic, or was that your one and only encounter with it?

AK: Avid? Ha, ha, ha, NO. Terrified and point-of-no-return are better terms. I haven’t been on a ropes course since that day.Wolfsbane

I have, however, bottled that feeling and kept it with me. The terror that couldn’t hurt me because I was harnessed and tied six ways to Sunday… The point of no return that made me step out, step forward, into what looked like empty air, to take a chance and challenge myself and not fall…

These days, I’m too old for rope courses. I’m more like a two-feet-on-the-ground and no-sudden-movements kind of girl. But every now and then I do something that makes me feel that way, all over again. It’s good to keep the blood thumping.

CD: Your website lists your next projects as Takin’ it Back and Face of the Enemy – are those period pieces, also?  Can you tell us anything about them?

AK: These are two AJ Krafton titles. Takin’ it Back is an urban fantasy/ magic realism story about a girl who’s a Repo Guy for a magical artifact shop. Face of the Enemy is a dystopian magic realism about politics and illegal magicians and the effects both have on society in general and a young woman in particular. Both are in progress.

CD: To wrap up, we’re going to steal an idea from Inside the Actor’s Studio (who in turn stole it from the French TV series, Bouillon de Culture, so we don’t feel too bad about that), and pose the famous ten questions from Bernard Pivot:

– What is your favorite word?

A vulgar one. Can’t help it. I’m a goon.

– What is your least favorite word?

“Decimate”. Really, people, stop saying it. Most of you use it wrong and it drives me out of my fricken gourd.

– What turns you on creatively, spiritually or emotionally?

Music. It’s my muse, my inspiration.

I even did a recent stint on Sirius XM Radio’s Ozzy’s Boneyard as their Ultimate Sinner. One day I’ll edit up some video and post the show on YouTube. I had such a fricken blast doing that show. How many people get to say I’M LOCAL AUTHOR ASH KRAFTON AND, THIS WEEK, I’M THE ULTIMATE SINNER! Specifically, just me, I guess, but you know what I mean.

– What turns you off?

Racist jokes and prejudiced comments.

– What is your favorite curse word?

You mean, a vulgar word? *rubs hands together with sinister glee* And besides all of them? I have a mouth like a longshoreman.

If I have to pick one, it’s “Scheiße”.

Curse words, by comparison, actually curse people. I try not to do that in real life. Even if I’d like to tell a few of my dayjob retail customers to kiss my ass and go to Hell, I’d really hesitate before doing that. Scheiße like that can come back on you.

– What sound or noise do you love?

Music. Machine-gun guitars from Pantera’s Cowboys from Hell. Or that lolloping bass you hear in a lot of Iron Maiden songs. Or Geddy Lee singing. #iheartgeddy
Oh, and of course, the voices of my husband and children. Duh. I meant to say that first. *weak chuckle*

– What sound or noise do you hate?

Tinnitus. I have permanent ringing in my ears so it really messes with me. I used to think it was cool but then it didn’t go away. Now, it’s annoying and I really would rather it just shuts up.

– What profession other than your own would you like to attempt?

I wanted to say something like: a whorehouse madam, where the whores are actually all novelists and people come and give them quickie writing jobs to do. I think part of me wishes for a world where writers can make money doing free-lance work outside of their craft’s passion and not feel dirty about it or hate themselves in the morning for doing what they had to do for the sake of earning a buck.

But then I realized that it’s a pretty harsh thing to say, so instead I’ll pick… espionage. I want to be a spy like Melissa McCarthy’s character. LOVE. THAT. WOMAN.

– What profession would you not like to do?

Anything that requires physical grace or hand-eye coordination. Like I said, too old for that Scheiße. (Wow. I really got some great usage of my favorite vulgar word today. Yay me!)

– If an afterworld exists, what would you like to hear the deity of your choice say when you arrive there?

Nothing but the slap of a high five.

That’s my endgame—to live my life in such a way that, when I die, I can congratulate myself on a job well done. (And maybe spend eternity in a beer garden in Munich.)

CD: Thanks for taking the time to talk to us.

AK:  That was seriously fun…

Much joy and cheers and thanks!


Find Ash Krafton on the web:

Website   Blog   Facebook   Google+   Twitter   Amazon   Goodreads








Cover Stories Author Interview: Dan Foley

Author Dan FoleyIt seems self evident that anyone who calls their business “Corvid” must have a thing about crows and ravens.  So naturally, when I discovered one of the small presses I art direct for (Necon Ebooks) had a book in their catalog titled The Whispers of Crows, I had to check it out.  Obsession has it’s price, of course; if you insist on reading anything & everything about a particular subject, you’re going to read a lot of dreck.  In this case, I was lucky.  Dan Foley’s The Whispers of Crows was a collection of horror and dark fantasy stories that was a real delight, one of the gems that stood out from the crowd.

Flash forward a year or so, and I’ve got Dan’s novel Death’s Companion to create a cover for.  I’ve mentioned before how much I admired that book, and creating the cover was great fun.  Then this summer, I got a chance to illustrate another of Dan’s books, Wolf’s Tale.  I’ve written about the process of making that cover elsewhere on this blog.

In the meantime, Dan had retired from his consulting work, to give his time over to writing.  And he certainly hasn’t wasted that time – he’s already got three new books out, a fourth (Wolf’s Tale) in production, and a new one in process.  With all that going on, we’re glad he could take the time out to talk to us…



Corvid Design:  There have been a number of fantasy, horror, and even comedy works that involve “reapers” – supernatural characters who collect the dead.  In Death’s Companion your supernatural character isn’t a collector, they’re just literally a companion to the person through their death.  What inspired that twist?


Death's Companion by Dan FoleyDan Foley:  I wanted to explore the stages of grief a dying person would experience without that person actually dying. They are: 1. Denial and isolation; 2. Anger; 3. Bargaining; 4. Depression; 5. Acceptance. Jerry, the protagonist, goes through each stage in that order. Even though Jerry can’t die, he has, in a way, died. Life as he knew it is over and the life stretching before him is pretty hopeless. With all that said, I wanted to show that human nature resists despair. After becoming death’s companion Jerry still strives to make things better for himself, the family he left behind and those whose deaths he has to share


CD:  Death’s Companion has a pretty grimdark cosmology underpinning it – when we die, we have a 50/50 chance of going on to the next stage (heaven, reincarnation, or whatever – it isn’t specified), OR of being eaten, and ending our existence in what will feel like an eternity of pain.  And it’s random – there’s no figure with a scale who passes judgement, no giant book of records listing our good and bad acts, it’s just random chance if an Eater is nearby when you pass over.  Nothing depends on merit or worth, it’s all luck of the draw.  Is that your personal philosophy?  That whether we go on after death or are snuffed out is random chance?


DF:  I don’t believe in either. What I believe in is nature. Nature isn’t fair, it isn’t cruel, it is what it is. As I said in the prologue, the living, the souls and the eaters are in balance, as is all of nature. The eaters aren’t evil, they’re predators. In the void, souls are the prey. And, in turn, the eaters are also prey for the hunters. This is nature in action.
I also slipped a little nuclear physics in there for those who might recognize it. Eaters reproduce by collecting enough souls that they contain too much energy. When that happens they split into hundreds of little eaters. That is basically nuclear fission. Souls evolve into hunters by joining together into a perfect soul. This is basically nuclear fusion.


CD:  Death’s Companion is a long, dense novel, with multiple story threads following Jerry, your main protagonist, along with the girl Carrie, the mysterious old man Sam, the Soul Eater and its Hunters, and a number of asides that glance into other lives and deaths along the way.  You cover a lot of geographic territory, as well, from Rhode Island to California, and lots of places in between.  By contrast, Intruder is a short, sharp shock.  It has a small cast, a single stage set – they’re jammed into the pressure cooker of a submarine. The action starts almost at once, and is pretty constant right up to the denouement.  Having done both, which approach do you find yourself most comfortable with, and why?


DF: I don’t think I favor either approach. I let the story dictate how involved it becomes and its length. Intruder had to be a novella because life on a submarine is, for the most part, boring. There’s only so much you can convey about everyday life. The other thing about life on a submarine is that even though every man knows every other man, they are pretty much encapsulated by their ratings. Engineers associate with other engineers, not torpedo men or radiomen.
In Death’s Companion, I had to allow Gerry to be dragged all over the country by the link he experiences with his “clients.” It provided depth to the world he lived in. I also had to spend more time developing the characters in this story to make the reader empathize with them.


CD:   Intruder is full of meticulous detail about the sub, and an abundance of acronyms and slang that are common among the submariners in the story. The proliferation of convincing naval and submarine descriptions and jargon definitely adds a sense of authenticity to the tale.  It’s pretty clear from this that you were once a submariner yourself, and those experiences inform Intruder.  Assuming you never ran into any Nazi ghosts down there, what was your most terrifying undersea experience?


Intruder by Dan FoleyDF: There were two. One of them is in the book. We were on sea trials and the ship yard had installed a piece of equipment incorrectly. When we did our deep dive to test depth, the hydraulic system had been contaminated with sea water. As a result we were unable to stop our dive and would up exceeding our test depth. There were others, but that was the scariest because there was nothing I could do but go along for the ride.

The other occurred on my first patrol. Again, we were on sea trials. We were doing “angles and dangles,” where the captain puts the boat through various maneuvers to make sure it performs like it should. Since it was my first patrol, I wasn’t assigned to a watch station. Instead, I was part of the aft damage control party which meant I just had to keep out of the way unless something happened. As it turned out, something did happen. A valve on top of a tank was left open by mistake and several hundred gallons of water overflowed from the tank into the lower level engine room. The watch stander there reported flooding in the LLER. At the same time, there was an actual grease fire in the galley. Both were announced over the subs communication system followed by “Emergency Blow, Emergency Blow.” When the blow valves were opened I was sitting just inboard of the relief valves on the blow lines. We were at test depth when the incidents occurred and the pressure in the ballast tanks was high enough to cause the relief valves, which were right behind me, to lift. They sounded like shotguns going off and scared the hell out of me.


CD:  Some people might argue that you made being on board a submarine scary enough without any ghosts or monsters.  But a supernatural threat at sea could have been anything – sea serpents, mermaids, giant squids, ghost pirates, Atlanteans, Bermuda Triangle aliens, or even Cthulu.  Why the ghost of a Nazi submariner?


DF:  The ghost was a metaphor for the ocean. It’s cold, it always wants to get into the boat, and if it does it will kill you. A leak at depth would be a cold, white spray of death. It’s the elephant in the room we never talk about, but everyone knows it’s always there. The ghost was my way of introducing that aspect of being constantly submerged in a steel cylinder with the very real threat of death all around you.


CD:  Wolf is more of a supporting character in Intruder (though he provides the key to defeating the monster).  And the ghost story he tells in Intruder is repeated at more length and in more detail at the start of Wolf’s Tale.  When you had Wolf tell about his background in Intruder, did you already know you wanted to expand on that, give Wolf his own book?  Or was that an afterthought, based on reader reaction?


Wolf's Tale by Dan FoleyDF: Wolf was a character that always intrigued me. I hinted about the possibility of a story about Wolf’s return to the bayou but had no idea at the time if I would ever write one. Then, I wrote two novels between Intruder and Wolf’s Tale (Abandoned & Reunion) but always found myself wondering what happened to Wolf when he returned home. That’s why I wrote the story. I wanted to see where Wolf’s life went after he left the Navy.


CD:  Wolf’s Tale is set in the Cajun bayou of Louisiana.  Every region has its own folk tales and ghost stories, its peculiar magic and witchcraft. Why the bayou?  What is it about Cajun magic and folklore?


DF:  I’ve been in every state except Alaska and North Dakota (which made Jerry’s  travels in Death’s Companion easier to write). I lived in Mississippi for seven months and did some fishing in the bayous there. Later, I spent a lot of time in New Orleans when I was working as an instructor at the Waterford 3 nuclear power plant. In my mind, New Orleans and the Louisiana bayous present the perfect atmosphere for a ghost story.
In Wolf’s Tale I also resurrected another character from one of my short stories, Old Mose, or just Mose, as he’s known in Wolf’s Tale. Mose was perfect for the story.
As for folklore, the region is steeped in it and I played on that.


CD:  The monster in Reunion is a creature called the On51ip0f3dwoliare, an Iroquois snake monster haunting the depths of a lake in Vermont.  Does Iroquois lore and magic figure as largely in Reunion as Cajun lore does in Wolf’s Tale?


DF: Not really. I drew the Oniare from the Iroquois legend, but, except for Chuck Turcott, the story takes place in a post-native American environment. The Oniare was a nod to the idea that there may be a grain of truth in all myths.


CD:   You do seem to have a predilection for watery threats.  You’ve taken us fathoms deep into the North Atlantic, and into the swamps and the bayou, and now with Reunion we’ve got this lake monster.  Is there something you find intrinsically scary about water?  Or are you just attracted to such settings for some other reason?


DF:  Water has always been a part of my life and it seeps (pun intended) into a lot of the things I write. The river in Reunion was a recreation of the river that played a large part of my adolescence. As a teen I lived on a lake for one year and spent a lot of time there even after I moved back into town. My summers were also filled with trips to the Jersey Shore. And, when I vacation, it’s always to a lake or Caribbean island. So yes, I’m partial to water settings.


51ftdzgvgtlCD:  The write-up on Abandoned makes James Sutton almost like the victim, rather than a villain. Is James closer to, say, Dexter than Hannibal Lecter?


DF:  James is a psychopath, but I wanted to show that, except for his little “problem” that he was no different than any of us. He wants to be accepted. He wants to be loved. He elicits sympathy from the reader and that makes him scarier than if he was just a non-feeling Hannibal Lector type. I wanted the reader to like James and root for him even though he does horrible things.


CD:  Sutton’s issues go back to his experiences as an orphan and an adopted child.  What inspired that?  Do you have some personal connection to this issue?  Have you adopted, or were you adopted yourself, or have some close connection to someone who was?


DF:  The answer there is yes, and no. At the time I wrote Abandoned, I had no close experience with adoption. I did, however, have a lot of experience with loss—loss of a pet, loss of a friend, loss of a parent. I wanted to examine what would happen to someone (James) who suffered these losses but who was incapable of dealing with them.

After I signed the contract for Abandoned, my daughter and son-in-law decided to adopt. The applied to an agency that specializes in open adoptions. It took almost a year, but they were chosen to be the adoptive parents of a wonderful baby boy. Both the adoptive parents and their families remain a part of his life, so he loved by two sets of parents, and multiple families. He will never have to feel that he was abandoned.


CD:  What’s your next project?  Can you tell us a little about it?

DF: After a few false starts I’m well into my next novel. It was inspired by the reality television show Alone. The story, working title Alone?, deals with a 22 year old recent college graduate who attempts to duplicate the challenge of living alone in the wild with no contact with the outside world.


CD: Thanks for taking the time to answer our questions


DF: You’re welcome.  From the depth of the questions it’s obvious you read each of the books you’re asking about. I appreciate that.


In closing, as usual, we’ll pose the famous ten questions from Bernard Pivot:

What is your favorite word?
Can’t think of one.

What is your least favorite word?
Two really—“you can’t”

– What turns you on creatively, spiritually or emotionally?
Being with other creative people.

– What turns you off?
Ignorant, prejudiced people.

– What is your favorite curse word?
“Jesus flip.”  Something I must have made up because I’ve never heard anyone else say it.

– What sound or noise do you love?

– What sound or noise do you hate?
A car with the stereo cranked up so loud it could shake the fillings out of your teeth.

– What profession other than your own would you like to attempt?
None. I’m retired. I went back to work for two months to help out someone who asked. I realized then I really don’t want another job.

– What profession would you not like to do?

– If an afterworld exists, what would you like to hear the deity of your choice say when you arrive there?
“Buckle up, Dan. It’s going to be one hell of a ride.”


Look for Wolf’s Tale coming in October from Necon Ebooks.

Find Dan Foley on the web:

Dan’s Website  – Facebook